Making Peace Between Passion and Profit
We all have different interests, likes, and dislikes — it’s what makes each of us unique. Some of us turn those passions into hobbies, and some are fortunate enough to turn those hobbies into paid work. Maybe we teach, sell our likeness, or offer services tied to our craft.
But there’s a fine line between creating for the love of it and creating for a paycheck. Between being an artist and being a businessperson. I’ve struggled with that line for years.
I always dreamed of traveling the world and making a living through photography. I believed that dream would become real by simply making photos — but recently, I’ve learned that’s not entirely true.
I love getting paid. I love doing different jobs. But I also love the creative process — making images just for the sake of creating. People used to say, “Art doesn’t pay the bills,” and for a while, I believed them. But then Instagram came along and showed me a new path — that it was possible to turn your art into income.
I remember my first paid gig — a portrait session.
“How much do you charge?” they asked.
I blurted out, “Fifty bucks.”
We picked a location, I shot everything in auto mode, didn’t edit a thing, and looking back… the photos were terrible. But I was hooked.
That moment showed me I could work, grow as an artist, and get paid — all at the same time.
But here’s the catch: artists don’t make money. Business-minded people do.
I struggled for years with pricing my work, collaborating with others, and showing up professionally. I was so focused on my creative process that I forgot people don’t just hire great artists — they hire great humans. I lost jobs and connections because I couldn’t be coached, didn’t listen, or let my ego get in the way. My attitude sucked.
But that’s life. You live, you learn, and you adapt.
Today, I still want to make money and make photos — but I do it for me first. If I pour all my creative energy into someone else’s vision, I lose the fire. But when I create for myself, I show up better for my clients, too.
This shift has changed everything. I feel more energized, more aligned, and more fulfilled — not just as a photographer, but as a person. As an artist.
See What Colour Can’t Say
Before colour TVs, everything was black and white. And if you’ve ever watched an old black-and-white show, it might feel kind of boring at first—mainly because there’s no colour to catch your eye.
But I think that’s exactly the point. The absence of colour forces you to focus more. You start paying attention to the scene, the story, the raw emotion, and even your imagination. Black and white strips things down to their core.
Lately, I’ve been drawn to a few creators who shoot entirely in black and white. It’s simple, powerful, and timeless. Some people argue that black and white aren’t even colours—and technically, in colour theory, they’re not. White is the presence of all colours, and black is the absence of it. But in everyday language, sure, we still call them colours, especially when we’re teaching kids or trying to simplify things.
Over the past few years, my photography has leaned more into sports—not because I’ve fallen out of love with street photography, but because many of those sports gigs are paid opportunities that allow me to keep doing what I love, both in and out of the streets.
The photo above is from a high school basketball game. You might not know exactly what’s happening—but that’s what makes it interesting. It makes you ask questions: Who’s playing? Did he score? Was it a foul? Sure, you’d probably ask those questions even if the photo was in color, but with black and white, I feel like you have to. Or at least, I do.
There’s something about removing color that makes the image feel timeless. It’s like it lives outside of a specific era—just a pure moment frozen in time.
Take the photo below, for example—of the quarterback, eyes wide open, ready to launch the ball like Shedeur Sanders on game day. If you play football, you’d be asking: is he the redshirt QB? How old is this kid? What’s the story behind that look?
Black and white forces me to see the photo differently. To enjoy it more. And when that combines with my love for sports—I’m in complete awe.
It reminds me that great photography isn’t just about what you see—it’s about what you feel when you see it. Black and white strip away the distractions, letting the story speak louder than the colors ever could. It’s like watching a story unfold in shadows and light, where every detail feels more intentional and the emotion hits harder. Maybe that’s why I keep coming back to it—it helps me slow down and truly see what I’m capturing.
Authenticity
Authenticity.
It’s everything people want—someone who’s real, genuine, and true about who they are and what they’re about. Kind of like a solid District Attorney (I’ve been binge-watching SVU on Prime, so bear with me).
When it comes to your voice as a photographer, people want to feel who you are. Can they see you in your work?
Like, if you’re this bubbly, high-energy person but your photography is super dark and moody—nothing wrong with that—but it can throw people off. There’s a disconnect.
I’ve been behind the lens for over 10 years now.
Started off taking photos of clouds with my iPhone… then got into blogging, designing T-shirts, street photography—and now, sports.
Along the way, my gear changed, my editing style evolved, and even the people in my life shifted.
Now I’m a dad and life feels more meaningful than ever. I’ve got a real reason to get up in the morning. And I think that shows in my work. These days, I feel less like a photographer and more like a documentarian—telling stories through life as it unfolds.
April has been the busiest month of my career—shooting, editing, backing up files, managing storage, and driving all over. By the end of each week, I didn’t even want to touch my camera. I just wanted to exist, be present, and soak up moments with my people.
Anyway—I know I’m rambling. It’s been a minute since I posted anything online.
Back to authenticity. Being real with yourself and your art—it’s not always easy. I’ve wrestled with labels:
“If you own a camera, you’re a photographer.”
“If you train jiu-jitsu, you’re a fighter.”
Cool. But when you look in the mirror… are you truly showing up as your real self? Are you being honest with your craft?
We’re living in the age of AI now. People question everything—“Did a human write this?” “Is it real?” “It’s too perfect to be true.”And the truth is—someone might fake it and win for a day. But when people dig deeper when they sit with your work, your story, your presence… the truth surfaces. They’ll feel the real you—or they’ll see through the performance.
So yeah… I could talk about this for hours.
But here’s the heart of it:
It matters now, more than ever, to just be you.
Because the world’s been full of fakes for too long.
And there’s so much peace and power in showing up as your authentic self.
Taking A Break
Time, with its relentless march, shapes and molds us in ways we often don’t realize until we pause to reflect. As we navigate the passage of life, we find ourselves growing into new passions while stepping away from those that once defined us. Imagine running a marathon, and just when you think you’ve hit your stride, you discover you’re only at the halfway mark, with challenges still ahead.
This is akin to my journey as an artist. Over the years, I've witnessed my art and enthusiasm evolve, influenced by the fabric of my experiences and the passage of time.
There was a time when I felt invincible, standing at the pinnacle of my craft as a street photographer. I basked in the recognition, known locally and respected in wider circles. My passion burned brightly, guiding me to create moments that resonated deeply with others.
But then, in a surprising turn, I found myself at a crossroads. The very art I loved became a burden; I felt a profound disconnect. I yearned to discontinue the relentless cycle of capturing and sharing - to pause feeding the insatiable social media machine.
What once sparkled with potential began to feel like an obligation. I had invested countless hours and $10,000 into curating a kit that once inspired me, only to realize I was ready to close that chapter.
This decision wasn’t made lightly; it was a testament to change—a reflection of how we embrace or let go of our passions. As I navigate this new terrain, I’m learning that transformation is not an end but a new beginning, paving the way for fresh dreams yet to unfold.
At one point in my life, I found myself at the pinnacle of my craft—boasting an impressive 38,000 followers and earning income from a passion I genuinely loved. It all seemed perfect, but it begs the question: why would I choose to step back when I was so deeply immersed in the game?
I chased the excitement, striving to capture “bangers” and post impactful photos that would light up my feed. In the beginning, it felt exhilarating—the thrill of creativity surged through my veins. But as time passed, I started to feel an unsettling shift.
What once ignited my passion began to dim. I found myself repeatedly photographing the same locations and scenes that countless other photographers had already captured. The creative spark that had fueled my journey started to flicker, leaving behind a sense of monotony.
Brazilian Jiu Jitsu
As artists, we thrive on fresh experiences, new perspectives, and the joy of discovery. However the relentless pursuit of novelty can sometimes lead to fatigue. I realized that in the chase for popularity, I had lost sight of what made photography fun in the first place.
This realization sparked a pivotal moment for me—a chance to reevaluate my passion and reignite my creativity beyond the confines of expectation. Each step in this journey has taught me that it’s okay to pause, reflect, and seek new adventures on our terms.
Learning how to be a day has become a new skill, and using my camera to tell new stories has become fun again.
I Miss Chicago
Hey,
This year I have decided to blog a bit more as I feel like its another way for me to connect with my audience. Sometimes people would rather read than look at photos all day, and sometimes I feel that writing things down is more better than having to imagine it.
I’m writing about my travel to Chicago a few years ago. Why now? why so late? to be honest the title speaks for it self. Why so late well because now I thinking my birthday just passed and I wanted to take another trip. Should I go back to Chicago or should I go somewhere I have never been before, Either way I'm going somewhere.
If you follow my work you know that I love dramatic landscape photography and Chicago is no where short of dense inner city landscapes. Layers upon layers of sky scrapers and iconic buildings. I have always love the Chicago for obvious reasons...The Chicago Bulls and Michael Jordan.
I love photographing in a place like Chicago because it feels like I home. It’s one of those places I have seen over and over again. I just can't get enough of the city. Feels like home away from.
Here are some images I was able to capture...
My First Roll of Ektar
It's finally here, the moment I have been waiting for. The day before Christmas and you can't sleep because you want to open your gifts or when you order something and you wait for the delivery man to show up at your house.
My first roll of Ektar film is here and Im surprised. I thought because I shoot digital a specific way the images would come out fairly similar, but that wasn't the case. Now looking at the photos almost feels like a review of how I shot this day, what I shot and the ultimate product.
36 photos I only had a few selects that stood from that day. I understand now how I have change the way I shoot when it comes to film, slower shutters speeds and understanding aperture. I realize its about taking your time being patient and finding that moment.
Overall I am pleased with the images I came out with, but now I know what I want to capture or at least have a better idea of what I might want to come out with.
Here are the rest of the I selected from that day....
See you on the next roll.
Jumping into film
I currently shoot with a Canon 6d and this has been my camera of choice for the better part of 4 years because upgrading is too expensive and I still love the 6d. I have a 24 mm, 35 mm and a 50 mm. So the change in what I shoot and how I shoot is needed in my opinion. For my own creative process and photographic challenges.
So I've done it!! I have made the jump into the film photography, its been something I have wanted to do for a long time but wasn't sure when I would want to start I and all the decisions that come with it. Which film to shoot with, what speed, and even that camera will I shoot with?
Considering film an old form of taking photos and these old cameras can break at anytime, it seems these days people are getting tired of digital photography. Film is on the rise and I personally wanted to try film because of the unknown aspect of it all. How will the images look once they are scanned, did I get that photo? These days everything is so quick and easy, you take a photo now and you see it within seconds. Where's the fun in that? Film gives the element of surprise you never know what you're going to get.
I recently went shooting and shot 2 Kodak films. Why Kodak because the internet told me so. Thats my honest answer because I have never has to shoot a film or a speed or even camera that shoots film other than the disposable camera we used to take on family trips that I have never seen the result of. Film is almost permanent unless you decide not to take your work into photoshop or Lightroom. Editing is chosen from your film choice and the speed it also chosen in the beginning. I have about 18 more rolls of film on the way because I'm not sure which film I will like.
I don't have photos yet but, Im looking forward to see how they came out and share on this blog.
Till next time...Later days?
This is me
Usually I do not do this. What I mean is usually I do not talk about myself because sometimes I think why would people care, but I recently had a conversation with a mentor or mine and they told me it cant just be about the destination, people would like to see the journey of how you got there on a day to day basis as well over a long period of time.
Basically its like this, when the teacher asks you to show her work but you already know the answer to the equation so you give only the answer. People like to live through others and sometimes they like to see the real side of things when it comes to how the person really got there.
So I am currently 30 years, but does that really matter? I first started creating since I could remember (typical answer I know) , but since I could draw cartoons that I used to see on Saturdays I was hooked. Eventually drawing and colours became something I enjoyed. 2005 graffiti came into my life and I was hooked I didn't really know what it was but I knew I wanted to learn it, study it and embrace it.
So I started with handstyles and learning from the ground up with sketchbooks. I learned how to write my name it felt like I was becoming someone else because it was an alter-ego something I could hide behind because I was not always the most out spoken person. The name was...yeah you guessed it "Smvrk" why I chose this name was because I was a bad kid grounding up and people used to tell me they knew I did something due to the smirk on my face.
fast forward couple years and now I am making stencils tagging my name anywhere I could, but one thing I wish I need early on what never "shit where you eat". I was caught writing my name on the new public school ways. (Yes some may call it vandalism). It was from that point I realized I could be writing my name illegally and getting in trouble.
Its 2007 and now i am in college for visual and digital arts. This touch the fundamentals of drawing, painting, sculpting and graphic design so I thought sign me up I could still do something I love which is letters colours and cartoons. I learned and learned fast, staying late at school understand illustrator and learning what it does and how I can make it mine own. I started with all I knew at the time music taking my favourite musicians and digitizing them. From Kanye and ASAP Rocky to Jayz and Lady Gaga. (No she was not a favourite of mine it was just an experiment).
A$AP Rocky
Kanye West
School was over and I needed a job or I had to go back to school for a few years to deep dive into a more specifc field. I worked for a a few years until Instagram came around and it was somewhere I did not have to do much. Post my work and move on, but then I stumbled across people with some amazing work that was coming from there phones and the rest it history.
I picked up a camera and it was a new fresh area I could create in. I could still hind bhind my name because that part hasnt changed much. I prefer people now know who I cam because I like the work to speak for itself, I rather the work do all the talking. (Not that I cant speak) I rather have the work do it for me.
So here i was working overnight and driving downtown every more to meet up with people like Ryan Millier, Brxson and The Brightest Hour just to name a few. I was hooked it was something new and fresh, but it was not about the likes and followers how it is now, but more about the adventure unknown places that we would have never seen if it was not for photography.
Underground tunnels, roof tops, motion blurs, instameets was all a new community of like minded people potential friends and competition. Then when people started to reach out and brands started to call you something bigger than just a photographer or a hobbyist. The platform had changed my life in a positive way, I meet new people brainstormed ideas went to all kinds if events.
Now I was travelling the world because my passion had grown outside of home town, my city and even my country. Exploring and seeing the world became the goal. Its more of a life time goal to travel as much as possible before I leave this earth. Since I picked up a camera I have drove to Montreal, Detroit, Flower Pot Island, took a bus to Chicago, flew to Cuba, Jamaica and even New York. Thats a short list of places I want to go, but I feel like I am only getting started. More events, more people to shoot more places to see.
That's me in a nut shell. I love photos I have a passion to see the world, meet new people and try new things. I feel like I can be a photographer for the next 30 years and still love it the same. I get bored easily so Im sure I would be shooting film or using mixed mediums in order to provoke an emotion. I love shooting people in their natural ora, but I also love landscapes and creating a cinematic mood similar to movies.
Till next time,
Sean
New York Minute
Not sure how to start this one back up again, but its been a long time since I have posted anything on here. I have been doing a lot to be honest just no time to sit down and make a post about it.
Today I want to talk about my New York City experience in which I was soaked by the rain, had my backpack fall apart and spent 2 hours trying to get the perfect shot.
Chinatown
When I came across this location it was here when I felt like I was in New York. No, it wasn't the slick talking or the One World Trade building. This!! This somewhat iconic shot of Chinatown from the Manhattan Bridge is when I felt like I was in New York. Its places like this that we see time and time again that make us feel like we made it. A lot of the time it is not about the destination, but the journey it took to get there. Cloudy days, rain and puddles are what made up most of the week.
Walking across iconic bridge felt like a bad joke at times. "why did the photographer cross the bridge?" To get all the shot? As much as we tried to predict the weather we had many failed attempts because predicting the weather is like finding the fountain of youth you come close, but your just not there.
Brooklyn Bridge
The Infamous Brooklyn Bridge, iconic the first New York City bridge and one hell of a run to the other side. We got caught in a crazy down pour with nowhere to hide. No shelter to cover and all our clothes, camera equipment and bags exposed. All we could do was embrace the New York weather, as if we had any other choice. When things like this happen you take it and think its a bad thing, but its memorable so why not document it . First time in New York and on the Brooklyn Bridge we caught in the rain. (I know I have been saying we a lot, I was on this trip with my girl friend, who doesn't have Instagram but loves to travel take photos and experience different foods.)
It rained for 3 days so stayed inside...
Fulton Station pt.1
Fulton Station pt.2
The Oculus
Staying dry is key when your not walking around with a 1Dx or weather sealed equipment. Because New York is so big and has so much to offer have a day inside is still a good thing. Not all cities are like this, but I will say rain or shine NYC doesn't stop, doesn't slow down and doesn't take breaks. Unfortunately I don't have a 1Dx, but its in the woks.
Chrysler Building
One World Trade Centre
The rain finally settled and going high above New York to capture this busy city in one photo, finally made sense. Seeing a lot these buildings was also a culture shock because the amount of films that have been recorded in New York is astonishing. From Batman, Die Hard, Sex & The City, Fast & Furious and more, NYC has got it covered.
Now to tell you what it means and how much dedication it takes to get that perfect shot that ends your trip. It was the last day of our trip and we wanted to see The 'Top of The Rock'. All tickets were sold out up until the next day and we were at the end of the line. The people ahead of us were buying tickets for tomorrow so by the time we get to the kiosk it would have been sold out. Did I mention it was our last day, so there was no trip back to the top of the rock for us. So, when your backs against the wall and you almost out of options what do you do? BUY VIP!!!!
We bought VIP skipped the line in a New York minute and stayed on rock for 2.5 hours because it was our last night the sun was finally out and we had no where else better to be than to watch the sun go down over one of the craziest cities in the world. It almost felt like we were in a movie watching the sunset.
Till next time,
Peace
The Cuban Experience
I know it has been long since my last post in January, but you can look forward to more post in the coming future.
I recently took a trip to Cuba for the experience of a lifetime courtesy of Havana Club Canada. For 3 days myself and the 2 other photographers Celia & Gillian enjoyed food, music and of course rum. We were able to get some history of how rum is made in a very cuban fashion.
Walking the streets of Old Havana was one of the highlights of my trip, seeing the culture, the old buildings with new modern architecture. Tones of characters roam the streets of Cuba any given day engaging tourists and cubans alike. You may have to pay a peso or two, but a photo of one of these street characters is worth the experience and the memories.
Unforgettable sunsets at 6am to going to kids in the streets playing soccer. Cubans may seem like they don't have much, but they sure live life to the fullest. Live it day by day and drink to the good times.
There were very few times when a local wouldn't try to sell me cigars and or rum as Cuba's largest income is based around tourism. Very nice and very respectful by the 3rd day I didn't want to leave, I felt like I was more than welcome to stay for as long as I wanted.
I would definitely recommend if anyone wants to go to somewhere hot, where they can enjoy good food, dance and of course cigars Cuba is the place to be. I have so many moments from this trip that overtime I see an image I feel like I am still there. I will never forget this trip to Havana.
Till next time.
From a different perspective
The digital age is booming and times are changing so fast, with changing times comes new technology and new ways of doing the same thing. Photography has changed a lot over the years, before it was blogging, then it was design t-shirts and then graffiti. Now everyone wants to be the own version of 13thWitness or Trashhand.
Change is inevitable and sometimes that change is unwanted, other times it is creative. As visual people we decide to make that change. I recently changed up what camera I was going to shoot with. (Only for a week)
I took the FujiE-X2 for a spin. With a 18-55mm(27-82.5 crop factor) I was amazed at the shot I could get without being seen. I love wide shots, but this time around I used the zoom and I was in love. I was fascinated by how fast you could take that shot and walk away without being noticed.
I was impressed by how easy it was to understand the functions of the camera and how smooth and consistent the camera was (this is not a photo review). I was pleased to walk just about anywhere and not question, if I was going to get the shot or not. It took me a few hours to change to my own custom setting and make the camera my own, but it was refreshing.
The Fuji is mirrorless camera and I felt it was time to try my hand at it and see if its worth the jump, if its worth selling my BMW (Canon 6D) for a smaller camera that can do almost the same thing. It was fun shooting with the camera, it felt like nobody knew I was there, but who knows.
Only time will tell...